Notes from a fascinating world.
The world is like a bazaar, full of interesting odds and ends, and I've been exiled into it. This is my all-over-the-map (literally and metaphorically) attempt at capturing some of the world's many wonders.
After all the horror stories I’d heard in the last few months about people getting detained trying to enter the US or having their visas revoked on arrival, I worried that I might run into problems myself.
After all, I have some pretty colorful stamps in my passport: Iran, Afghanistan, and a whole lot of Arabic lettering. The US consulate in Rio de Janeiro had granted me a visa, after a moment of hesitation. But that didn’t mean that Customs and Border Protection, or CBP, a separate agency, had to honor the State Department’s decision.
A few weeks ago I was in Ushuaia on the southern tip of Argentina. Fin del Mundo, they call it, the End of the World. Ushuaia’s geographical location meant that it was, and still is, an Argentine naval base. As such it played a suitably significant role in the Falklands War of 1982, or Guerra de las Malvinas to the Argentines. So much so that a memorial to the Argentine war dead stands in the middle of the city.
And the Falklands War remains one of the purest and most obvious examples of wagging the dog—the term from the 1997 comedy has by now entered common English usage—of a government bumbling into war against a foreign “enemy” for no better reason than to distract its own citizens from problems at home.
The great Argentine writer Jorge Luis Borges had an even better epithet for the pointless war: It was “a fight between two bald men over a comb.”
In 1893, a 32-year-old historian, later of Harvard, presented a paper at a meeting of the American Historical Association in Chicago. His name was Frederick Jackson Turner, and the paper was called “The Significance of the Frontier in American History.” The essay turned out to be a seminal one. The “Frontier Thesis,” in which American society is thought to have been shaped by the existence of, and its confrontation with, the frontier became a key concept in the study of American history.
In 2017, the Frontier Thesis is once again full of implications.
On the one hand, Turner’s formulation of the concept of the American frontier is nothing short of racist: “the frontier is the outer edge of the wave—the meeting point between savagery and civilization.” The crude dichotomy of US and THEM no doubt captured the thinking of many 19th settlers uneasy about native nations just beyond the frontier. And today it seems to capture the thinking of just as high a proportion of Americans with respect to the outside world.
Now Trump has proclaimed America’s institutional press “enemy of the American people,” using that Bolshevik term that Lenin had used. He ought to say it in Russian, vrag naroda, so that his boss Vladimir can hear him clearly.
But freedom of the press is as American as apple pie. It predates even the founding of the Republic. Indeed, Mar-a-Lago’s war on the media reminds me of the first major test case of press freedom in the Thirteen Colonies, that of John Peter Zenger.
Like Donald’s grandfather Friedrich, Zenger was born in Germany and immigrated to the United States at a young age. Friedrich was 16; John Peter was 13 in 1710 when his family arrived in New York. The government of the colony of New York, in a time more welcoming to immigrants, arranged apprenticeships for all the immigrant children. So it was that teenaged Zenger found himself apprenticed to William Bradford, the first of New York’s printers. Eventually Zenger followed Bradford’s footsteps and became a printer in his own right.
Writer, traveler, lawyer, dilettante. Failed student of physics. Not altogether distinguished graduate of two Ivy League institutions. Immigrant twice over. "The grand tour is just the inspired man's way of getting home."